The Isabella Stewart Gardner Museum (called Fenway Court during the Isabella Stewart Gardner period) is a museum in the Fenway-Kenmore neighborhood of Boston, Massachusetts near the Back Bay Fens. It houses the world's important art collections, including significant examples of European, Asian, and American art, from paintings and sculptures to rugs and decorative arts.
In 1990, thirteen museum works were stolen; high profile crimes remain unsolved and their works have not been found.
Video Isabella Stewart Gardner Museum
History
The museum was opened in 1903 by Isabella Stewart Gardner (1840-1924), an American art collector, philanthropist, and patron. It is housed in a building designed to mimic the Venetian palace of the 15th century, drawing special inspiration from the Venetian Palazzo Barbaro.
Gardner began to collect seriously after he received a great inheritance from his father in 1891. The purchase of his Vermer The Concert at an auction in Paris in 1892 was his first major acquisition. In 1894, Bernard Berenson offered his services in helping him acquire Botticelli. With his help, Gardner became the first American to have masterpieces of the Renaissance master. Berenson helps acquire nearly 70 works of art for his collection.
After her husband, John L. Gardner, died in 1898, Isabella Gardner realized their dream to build a museum for their property. He bought land in the swampy Fenway area of ​​Boston, and hired architect Willard T. Sears to build a museum imitating the Renaissance palaces in Venice. Gardner is heavily involved in every aspect of design, which leads Sears to insinuate that he's just a structural engineer who makes Gardner's design possible. After the construction of the building was completed, Gardner spent a year putting up his collection in a way that evoked an intimate response to art, mixing paintings, furniture, textiles and objects from different cultures and periods between famous European paintings and sculptures. Installation galleries are very different from those seen today; The Early Italian Painting Room, for example, was presented as Chinese Space until about 1914.
The museum opened on January 1, 1903 with a major celebration featuring performances by members of the Boston Symphony Orchestra and a menu that included champagne and donuts. In 1909, the Museum of Fine Arts moved to his new home near.
During Gardner's lifetime, he welcomed artists, performers, and scholars to Fenway Court to draw inspiration from the fascinating collection and fascinating setting of Venice, including John Singer Sargent, Charles Martin Loeffler, and Ruth St. Denis, among others. Gardner also occasionally hosts artist exhibitions at Fenway Court, including one of Anna Coleman Ladd. Today, a contemporary artist-in-residence program of museums, featuring a courtyard garden, concerts, and innovative educational programs continues the heritage of Isabella Gardner.
When Gardner died in 1924, his will created a $ 1 million donation and provisions outlined for museum support, including allegations that his collection was permanently exhibited "for education and public pleasure forever" in accordance with aesthetic vision and intent.
Gardner appointed his secretary and former librarian of the Museum of Fine Arts, Boston, Morris Carter (1877-1965) as the museum's first director. Carter cataloged the entire collection and wrote Gardner's definitive biography, Isabella Stewart Gardner and Fenway Court . George L. Stout (1897-1978) was the second director. The father of modern conservation, Stout ensures the long-term preservation of collections and historic structures. Rollin Van Nostrand Hadley (1927-1992) became the third director in 1964. Leaving a mixed heritage in 1988, Hadley published several catalogs and articles about the collection during his tenure but also wasted much of the Asian artworks of the museum in 1971. Anne Hawley was director from 1989 to 2015.
The current museum director is Peggy Fogelman.
Maps Isabella Stewart Gardner Museum
Design
Built to evoke a 15th-century Venetian palace, the museum itself provides an atmosphere of atmosphere for Gardner's inventory creation. Gardner hired Willard T. Sears to design a building near a small swampy Back Cottages to accommodate his growing art collection. Inside the museum, three-story galleries surround the courtyard garden that blooms with life in all seasons.
It is a common misconception that the building was brought to America from Venice and reconstructed. Built from the ground up in Boston of the new material, it combines many architectural fragments of the Gothic and Renaissance European structures.
The antique elements were worked into the design of the turn of the century building. Special tiles are specially designed for flooring, modern concrete is used for some structural elements, and the antique capital sits on top of modern columns. The interior garden courtyard is covered by a glass roof, with an original steel support structure to the building.
The Gardner Museum is highly admired because of the intimate atmosphere in which works of art are displayed and the pages are filled with flowers. Most of the artwork is not labeled, and generally lower lighting is more similar to a private home than a modern art museum.
By 2013, the museum is designated as a Boston Landmark by the Boston Landmarks Commission.
Collection
Gardner collects and carefully displays a collection of over 7500 paintings, sculptures, furniture, textiles, silverware, ceramics, 1500 rare books, and 7000 archive objects from ancient Rome, Medieval Europe, Italian Renaissance, Asia, the Islamic world, and 19th - the French and American centuries. Among the artists represented in the gallery are Titian, Rembrandt, Michelangelo, Raphael, Botticelli, Manet, Degas, Whistler and Sargent. The first Matisse to enter the American collection took place in the Yellow Room.
The famous artworks in the museum collections include Titian's The Rape of Europa , John Singer Sargent El Jaleo and Portrait of Isabella Stewart Gardner , Fra Angelico The Death and Assumption of the Virgin , Rembrandt Self-Portrait, Aged 23 , Selini Bindo Altoviti , Piero della Francesca Hercules >, and Botticelli's < i> The Story of Lucretia .
The archive stores over 7,000 letters from 1,000 correspondents, including Henry Adams, T.S. Eliot, Sarah Bernhardt, and Oliver Wendell Holmes, alongside travel albums, dealer receipts, and guest books.
The galleries also contain a collection of little-known Gardner books that include Dante's early editions and manuscripts, miniature, incurable, and illuminated manuscripts of Jean Bourdichon.
Project expansion and preservation
In 2002, after a two-year master planning process, the museum's supervisory board determined that new wings were needed to preserve the historic buildings and provide more space for the programs that continued the legacy of Isabella Gardner. In 2004, the Pritzker Prize architect who won the Renzo Piano and Renzo Piano Building Workshop (Genoa, Italy) was chosen to design the new wing. The design for the new wing is understood as a respectful complement to the historic Museum buildings in scale, shape, and materials.
This new expansion includes space for visitor services, concerts, special exhibitions, and educational and landscape programs, expanding Isabella Gardner's heritage in art, music, and horticulture while reducing 21st century tensions on collections and galleries. The completion date is 2012, and the project costs $ 118 million.
Art Theft 1990
In the early hours of the morning of March 18, 1990, a pair of thieves disguised as Boston police officers robbed a museum of thirteen pieces of art worth some $ 500 million - the largest property theft known in history. Among his works is The Concert , one of 34 known by Vermeer and is considered the most precious painting yet to be found at over $ 200 million. Also missing is the Storm in the Sea of ​​Galilee , only the view of the known Rembrandt sea.
Despite efforts by the FBI, the works have not yet recovered. The museum initially offered a reward of $ 5 million for information leading to art restoration, doubling in May 2017 to $ 10 million. An empty frame hangs in the Dutch Space Gallery as a venue for lost works. The selection of stolen works confuses the experts, as more precious artwork is present in the museum. According to the FBI, stolen artwork was moved through the area and offered for sale in Philadelphia in the early 2000s. They believe thieves are members of a criminal organization based in the mid-Atlantic and New England.
Current program
The museum regularly produces scientific exhibitions, lectures, family programs, and symposia that provide insight into historic collections. Through the Artist-in-Residence program, artists in many disciplines are invited to stay and take inspiration from the museum. Museums often host contemporary art exhibitions, performances, and programs by those chosen.
The Gardner concert series welcomes musicians and artists who appear to perform classics, new music, and jazz on Sunday afternoons and vote Thursday night. Music programs are also available through free concert videos, audio recordings and free classical music podcasts.
Reflecting Isabella Gardner's passion for horticultural and garden design, Gardner's interior courtyard combines an ever-changing horticultural look with sculptures and architectural elements. The interaction between the yard and the museum gallery offers fresh views from almost every room, inviting connections between art and landscape. Programs such as the Landscape Visions lecture series and Ask the Gardner specific questions increasingly involve visitors to embrace the art of landscapes.
In keeping with Isabella Gardner's enthusiasm for the Boston Red Sox baseball team, visitors wearing the Red Sox trinkets receive a discounted admission ticket. Visitors named Isabella, or visit on their birthday, get in free.
Recent exhibits
Exhibition
Gardner's exhibition since 2002 includes:
Contemporary art exhibition
Gardner also hosts the following contemporary art exhibitions.
Gallery
See also
- List of Historic Historic Places of Historic Places in South Boston, Massachusetts
References
External links
- Official website
- The Isabella Stewart Gardner Museum has a virtual virtual tour called "Thirteen Works: Explore Gardner's Hidden Art". This tour allows you to explore museums virtually while learning thirteen pieces that were stolen in the early 1990s. The website also allows users to browse digital museum collections by genre. Genres include American art, Ancient art, Asian art, Decorative art, European art, Islamic art, and furniture. The museum also provides a detailed description of the conservation efforts that occur each year in the museum.
- the FBI theft page and Mar 2013 updates
- Boston City, Boston Landmarks Commission, Conservation Report Isabella Stewart Gardner Museum
Source of the article : Wikipedia
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